Zola's much better known for his painstakingly detailed, deceptively lyrical stories set in France of the Second Empire of the mid-nineteenth century, although really aimed at the France of the late nineteenth century Third Republic. THERESE RAQUIN, his earliest major work, stands out as a relatively simple story of jealousy, adultery, and murder in a small family. It's also an indication, as if...
more Zola's much better known for his painstakingly detailed, deceptively lyrical stories set in France of the Second Empire of the mid-nineteenth century, although really aimed at the France of the late nineteenth century Third Republic. THERESE RAQUIN, his earliest major work, stands out as a relatively simple story of jealousy, adultery, and murder in a small family. It's also an indication, as if one were needed, of Zola's unwillingness to compromise on the frequently grim and unpleasant endings (as so often in life) which marked many of his great later novels. The ending is a little TOO grim to the extent that it nearly crosses the line into Grand Guignol, but THERESE RAQUIN maintains its power to shock and horrify, especially with a bravura setpiece later in the novel involving a dinner party that's at once excruciating and hypnotic. While many of Zola's later works such as NANA and L'ASSOMOIR (and even "lighter" fare such as AU BONHEUR DES DAMES) are more deeply and richly populated with character and incident, THERESE RAQUIN's an admirable, if extremely depressing, and concise story that demonstrated both to Zola's world and to ours that here was a writer one ignored to one's cost.
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