***Spoiler Alert***
An epic tale of love and decay, Márquez portrays a vibrant and complex society in an unnamed city in the Caribbean. For me the strength of the novel is in Márquez’s vivid descriptions and his ability to set the scene. The novel is unusual in many ways:
In structure: it begins with a lengthy scene in which one of the three main characters, Dr. Urbino officiates...
more ***Spoiler Alert***
An epic tale of love and decay, Márquez portrays a vibrant and complex society in an unnamed city in the Caribbean. For me the strength of the novel is in Márquez’s vivid descriptions and his ability to set the scene. The novel is unusual in many ways:
In structure: it begins with a lengthy scene in which one of the three main characters, Dr. Urbino officiates over the investigation of the death by suicide of a man with whom he played chess followed by a visit to the man’s mistress. Neither the man nor his mistress is mentioned except in passing in the rest of the novel which is mainly told in flashbacks starting some fifty years previously. The novel ends with a surreal everlasting voyage.
The novel centers on a 53-year obsessive love by Florentino Ariza for Fermina Daza, but after Daza marries Dr. Urbino, Ariza has and keeps detailed notes in 25 notebooks of 622 long-term sexual liaisons and “countless fleeting adventures.” On at least two occasions Ariza’s affairs lead directly to the death of two of his liaisons, one by murder, one by suicide. Despite all this activity with an incredible assortment of girls and women, Ariza has a reputation as a loner and or is thought to be gay in a city where everyone knows everything about what everyone does, sometimes before they do it. Ariza truly is a shadow as well as a curious hero of love. Clearly for Márquez faithfulness in love has nothing to do with sex.
Fermina Daza is a similarly curious heroine of love. She breaks off her original engagement to Ariza in an instant on a seeming whim in the marketplace arcade. She leaves her husband for nearly two years when he admits to an affair rather than denying it in the face of the evidence as she had hoped. With Ariza, she again prefers the barefaced lie that he is a virgin to the more objective truth.
For Márquez love is a sickness, like cholera from which you are unlikely to recover. However it does evolve as we age and decay and that is the story of our lives.
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