Amazing, but...
I would have loved to give this book 5 stars. It is such a phenomenal walk through American history, from 1968 to the early 2000s. As the subtitle states, this is a history of the generation that created and came of age with hip-hop, not simply an overview of hip-hop music. It is about the socio-econo-political forces that developed or, more often, damaged this...
more Amazing, but...
I would have loved to give this book 5 stars. It is such a phenomenal walk through American history, from 1968 to the early 2000s. As the subtitle states, this is a history of the generation that created and came of age with hip-hop, not simply an overview of hip-hop music. It is about the socio-econo-political forces that developed or, more often, damaged this generation and the art and culture that they made as a response.
If you are a lover of either hip-hop or history, you will find much to appreciate about this book. It is filled with first-hand accounts by the DJs, MCs, dancers, and graffiti artists who were there back in the day -- it should really give you a new awareness of what "old skool" REALLY means. It is also thoroughly researched, with tons of citations.
So, why only 4 stars? This book falls short of being a complete history since it offers only the briefest mention of female rappers. (and DJs -- hello, Spinderella!)
While entire chapters are devoted to several individual (albeit well-deserving) male artists, the amount of coverage to female artists fills less than a dozen paragraphs total. This is an especially odd omission since Chang does make a point on several occasions of calling out the routine misogyny and even includes a rather tense interaction between Ice Cube and Angela Davis.
I also found it weird that there was no mention of artists such as DJ Jazzy Jeff & the Fresh Prince, Sir Mix-A-Lot, or Eminem. While each of them "could" be considered sell-outs (or, rather, victims of excessive hype by their labels and the media, looking for the latest poster boys/scape goats) they each had significant effects on how the Hip-Hop Generation saw itself, and how mainstream America came to terms with the Hip-Hop Generation coming of age.
So, despite what I consider rather significant oversights, I still highly recommend this book.
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