Naomi Novik again fulfills a promise, one she never voiced but seems to keep in all the books of the Temeraire series, namely to be the first and foremost writer of serious dragon tales. With serious I don't want to say I never laughed, to me it's hilarious watching Temeraire struggle through human emotions and cope with dragon feelings at the same time, I can't count the giggles he caused me...
more Naomi Novik again fulfills a promise, one she never voiced but seems to keep in all the books of the Temeraire series, namely to be the first and foremost writer of serious dragon tales. With serious I don't want to say I never laughed, to me it's hilarious watching Temeraire struggle through human emotions and cope with dragon feelings at the same time, I can't count the giggles he caused me when reading this one. No, it's not a drama Mrs. Novik delivers, but it's certainly avoiding any cheesy, childish dragon tales. Having read an Eragon novel at the same time the cheesyness I'm seeing in the one and missing in the other almost made me put down Paolini, if it were not for the fact that I tried to read a not-so-important novel in spanish to rehearse my skills there. An example? Well, Saphira in Eragon is instantly healed when attacked, such that she never suffers a wound. In Temeraire world, a world without magic, a wounded Dragon has to recuperate, and slowly at that. And guess what, in Alegaesia no dragon really dies either, it just relocates... Also, in Noviks stories the dragons try to gain a suitable position in society, not being mere beasts but rather having all characteristics of a higher intellect.
So, long story short, a great new look at the Napolean era, and this time another insight into the thinking of a real english gentleman of that era, along with how he deals with being convicted for treason!
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