Religious imagination -- the sense that human actions are played out against a cosmic canvas of good and evil, of right and wrong -- is hardly a Catholic preserve. But in the mid-20th century, as the mainstream churches secularized, Orwell's quip that hell had a Catholic brand name didn't seem far off the mark.Paul Elie's first book, ''The Life You Save May Be Your Own: An American Pilgrimage,''...
more Religious imagination -- the sense that human actions are played out against a cosmic canvas of good and evil, of right and wrong -- is hardly a Catholic preserve. But in the mid-20th century, as the mainstream churches secularized, Orwell's quip that hell had a Catholic brand name didn't seem far off the mark.Paul Elie's first book, ''The Life You Save May Be Your Own: An American Pilgrimage,'' is a study of the religious imagination at work in four American writers -- Flannery O'Connor, Walker Percy, Thomas Merton and Dorothy Day. All of them were Catholic, and all of them flourished over the roughly 30- or 40-year period from the 1930's through the 60's that is sometimes called ''the Catholic moment'' in America. Popular culture had a distinctly Catholic twist -- just consider the successful run, including Oscars, for Catholic movies like ''The Bells of St. Mary's,'' ''Going My Way'' and ''On the Waterfront.'' Activist priests were prominent in the industrial union movement, and even in the world of high culture there were a remarkable number of conversions, including all of Elie's subjects except O'Connor, and a string of others, like Robert Lowell, Allen Tate, Caroline Gordon and Jean Stafford.
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