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Speak, Memory (Everyman's Library (Cloth))

From one of the 20th century's great writers comes one of the finest autobiographies of our time. Speak, Memory was first published by Vladimir...more
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few weeks ago
How lucky are we to be able to go into this brilliant man's mind through books he wrote..
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few weeks ago
Nabokov writes as one who truly loves to write. His prose is so ecstatic it's impossible not to be swept away by him. I have no interest in butterfly collecting or chess, but when he writes about these, they are endlessly fascinating.
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few weeks ago
Probably the most amazing autobiography I've ever read. It reads like a perfect insight into the man's mind.
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few weeks ago
My favourite one. I don't like autobiographies, but this one... Nabokov has lived the most interesting times - childhood in pre revolutional capital of Russian empire, Europe between the 2 wars, and USA after the 2WW. His genius makes us live the History, feel it.
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few weeks ago
Nabokov is a titan of English literature. This memoir is neither sentimental nor a score-settler. It is not gentle, either. As in many Nabokov works, the characters' flaws and motivations are complex and contextual. In this case the people are real, but they receive the Nabokov treatment all the same.
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few weeks ago
You have to read this one carefully, as even in his autobiography Nabokov leaves elusive clues as to the nature of important events, and it is up to the reader to connect the dots.
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few weeks ago
Sheds as much insight into Nabokov, both as a person and an author, as is likely possible (which is to say, not a great deal, but it's still an interesting, enjoyable read).
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few weeks ago
The vivacity of language is truly amazing - a "must read" if you enjoy the genre.
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few weeks ago
Dense and richly textured. One of the few writers that I need to use a dictionary in order to thoroughly understand. A different way to write a biography but leave it up to Nabokov to do it this way. Highly literate and dense.
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few weeks ago
I could quote almost any section of this book to show how magnificent it is - it’s been proclaimed the memoir of the century in some corners and I wouldn’t be able to muster much effort to argue to the contrary. For instance, the sequence at the end of Chapter One that, as Brian Boyd in the introduction points out, "pays tribute to Nabokov’s father, anticipates his death, and seems...more
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