I was a little disappointed with this book. It seemed to me like Gaiman tried to work too many ideas into one story. There are a lot of neat concepts (for example, the idea of roadside attractions being places of power) that are introduced but, in my opinion, don't get fully explored. Even at nearly 600 pages, it doesn't feel quite like Gaiman got to tell the whole story he wanted to tell.
The...
more I was a little disappointed with this book. It seemed to me like Gaiman tried to work too many ideas into one story. There are a lot of neat concepts (for example, the idea of roadside attractions being places of power) that are introduced but, in my opinion, don't get fully explored. Even at nearly 600 pages, it doesn't feel quite like Gaiman got to tell the whole story he wanted to tell.
The "twists" in the book were also a bit too telegraphed. There are basically four--a main character twist, a plot twist, a supporting character twist, and a mystery. The supporting character twist and the plot twist are handled relatively well. You can tell they're coming up, but I didn't figure out the details until I was supposed to (I think). The main character twist and the mystery, on the other hand, were REALLY obvious. He basically comes right out and tells you "this is the main character's big secret," if you know what you're looking for. The two clues you need to solve the mystery are within a page of each other almost as soon as the mystery is introduced, which makes the connection a bit too easy. To be fair, both of these twists were of the magical/metaphorical variety, so there's a good chance that people who don't read too many Tim Powers and Alan Moore books might not notice them as easily as I did.
In spite of these problems, Amercian Gods is a very good book. While none of the characters are outstanding, for the most part they're well-written. The basic plot and writing are what you expect from Gaiman. As I said before, there are a lot of interesting ideas introduced, though some of them don't get as much space as they really need. The thing that most impressed me about the book is how Neil managed to capture the feel of Cairo, Illinois--a town I grew up within a few miles of. Gaimain perfectly communicated the kind of desperate, desolate feel of the town. I can only assume that he did an equally good job on the other locations featured in the book (I can't say, since I haven't been to most of them--though I've been told his description of Rock City is flawless as well).
Overall, American Gods is a good read, and I recommend it. While it didn't quite live up to my expectations based on Gaimain's previous work, I suspect it's still much better than at least 95% of the modern-day fantasy genre.
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