On the fictional island of Nollop, named for the fictional creator of pangram "The quick brown fox jumps over the lazy dog," things are going from bad to worse. When one letter of the pangram, then another, then more still fall from Nollop's statue, the provicial, superstitious council takes it as Nollop's command from beyond the grave and progressively strikes each letter from use, under penalty...
more On the fictional island of Nollop, named for the fictional creator of pangram "The quick brown fox jumps over the lazy dog," things are going from bad to worse. When one letter of the pangram, then another, then more still fall from Nollop's statue, the provicial, superstitious council takes it as Nollop's command from beyond the grave and progressively strikes each letter from use, under penalty of law. The story is told through letters and documents written by the Nolloputians as they adjust to a life where expression is increasingly constrained. In telling the story, Dunn is more concerned with tuggging at heart strings than flaunting the literary acrobatics needed to make Ella Minnow Pea work. Good on him. But beneath the story is also a layer of nostalgia for a more heavily literate era and a nation of letter-writers and rhetoricians. This, not the lipogrammatic gimmick, is Dunn's true celebration of language.
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