"There's a perculiar thing about money," he went on. "In large quantities it tends to have a life of its own... The power of money becomes very difficult to control. Man has always been a venal animal. The grown of populations, the huge costs of wars, the incessant pressure of confiscatory taxation - all these things make thim more and more venal. The average man is tired and scared, and a tired, scared man can't afford ideals."
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Written after achieving success and mainstream acclaim, TLGB is Chandler's sprawling masterpiece - the novel that brought him out of the 'ghetto' of detective fiction and cemented him as a master of character and prose.
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The one liners are there, the cracking skulls, the women, the long lost place that was Los Angeles in the middle of the 20th Century. But Chandler is plumbing depths - of his protagonist Marlowe, his villains, his self as imagined through the tortured smut writer Roger Wade. Chandler tangles with social criticism, ever so subtly, through devices such as Harlan Potter (a stand in for the more famous Chandler) and Bernie Ohls, the jaded cop. The tough and wise moral code we expect from men like Marlowe is hammered over and over again until we're left with an ambiguous ending that leaves you wondering what happens after the last page - if his world has been changed or if he merely sees it differently.
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"I couldn't have told you any more than I did. You wouldn't have stood for it," a main character says to Marlowe late in the book. "That's as nice a thing as was ever said to me," he replies.
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