One thing that's so great about this book is the tension Flaubert creates in the reader between, on the one hand, wanting to condemn Emma for her immoral, or at least unkind, acts and, on the other, wanting to cheer her on as she strives to be the best she can be in an extremely repressed society in which women simply didn't have very much power. She asserts her ambition in the only way she knows...
more One thing that's so great about this book is the tension Flaubert creates in the reader between, on the one hand, wanting to condemn Emma for her immoral, or at least unkind, acts and, on the other, wanting to cheer her on as she strives to be the best she can be in an extremely repressed society in which women simply didn't have very much power. She asserts her ambition in the only way she knows how: by charming the only available men in the backwoods town of Yonville. But poor Charles, lame as he is, never knew what hit him.
The French government charged Flaubert with immorality, but their real problem with the book was that is showed rural French society for what it really was: shallow, provincial, self-important, and not very smart or sophisticated. At least in Flaubert's opinion. Baudelaire was prosecuted for the same thing that same year, but he lost. You can sort of see why as Flowers of Evil is chock-full of vampires, prostitutes, and blood, as poetic as the writing is. But Flaubert? They were just plain scared of him.
Someone once said that all novels are really just retellings of Madame Bovary (I think a character in a novel called She Is Me by Catherine Schine said that -- a must-read if you like Bovary). There are a lot of movies that (re)tell this story too. Lots of modern poetry presents vivid images and specific details the way Flaubert does -- revealing character gradually, believably, and ironically. Writers today owe him a lot.
So: I liked it. A lot.
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