Hammett makes a bit of a departure from hard-boiled detective fiction in his penultimate novel. The protagonist, Ned Beaumont, is a hard-boiled political operative. When his boss gets implicated in a murder, it's up to Ned Beaumont to...well, what? One of Hammett's most enigmatic and elliptical books. Unlike Red Harvest or The Thin Man, this is a third-person narrative, so we never have access to...
more Hammett makes a bit of a departure from hard-boiled detective fiction in his penultimate novel. The protagonist, Ned Beaumont, is a hard-boiled political operative. When his boss gets implicated in a murder, it's up to Ned Beaumont to...well, what? One of Hammett's most enigmatic and elliptical books. Unlike Red Harvest or The Thin Man, this is a third-person narrative, so we never have access to Ned's interior monologue (in fact, the character is never referred to as Ned - he is always Ned Beaumont, which functions to keep him at a distance from the reader. As Ned investigates the murder, we get all the snappy dialogue, brutal beatings, and dangerous dames we have come to expect from the genre, yet reading the book is highly disorienting, as Ned himself and his motivations remain cryptic for most of the narrative. Makes one wonder what Hammett would have done with the genre if he hadn't retired so early.
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