The best parts of this book are 'The Stow-away' and 'The Shipwreck'. 'The Stowaway' kicks off Barnes's whimsical, ascerbic, poignant yet uproariously funny novel. Set in the First Testament , the first chapter specifically spoofs the story of Noah and the Great Flood, as seen through the eyes of a rather unexpected 'Stowaway'. 'The Shipwreck' is a whole different kettle of fish - tragic yet...
more The best parts of this book are 'The Stow-away' and 'The Shipwreck'. 'The Stowaway' kicks off Barnes's whimsical, ascerbic, poignant yet uproariously funny novel. Set in the First Testament , the first chapter specifically spoofs the story of Noah and the Great Flood, as seen through the eyes of a rather unexpected 'Stowaway'. 'The Shipwreck' is a whole different kettle of fish - tragic yet intelligent in the extreme, involving inference and a very close look at Gericault's painting of the survivors and victims of the wrecked 'Medusa', at sea.
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