American Psycho is not for the faint of heart-- it is far more graphic even than the film version-- but if you can stomach it, it is worth the read. Ellis's illustration of his main character's unravelling psyche calls to mind elements of Nabokov, Dostoeyvski, and Anthony Burgess's A Clock Work Orange. There's Bateman's obsessive compulsion toward all things...
more American Psycho is not for the faint of heart-- it is far more graphic even than the film version-- but if you can stomach it, it is worth the read. Ellis's illustration of his main character's unravelling psyche calls to mind elements of Nabokov, Dostoeyvski, and Anthony Burgess's A Clock Work Orange. There's Bateman's obsessive compulsion toward all things material (shown through detailed descriptions of every name brand piece of clothing worn by every character), and there's also his odd love of light-hearted pop music (entire chapters devoted to Genesis as fronted by Phil Collins, Whitney Houston, and Huey Lewis & The News are surrounded by some of the goriest, most brutal scenes in the novel). It's in all these details that Ellis best depicts the stark contrast between Bateman's seemingly-perfect alpha male artifice, and the psychotic killer that lies beneath-- a fitting allegory for the greedy 1980's (and for Wall Street's role in our current economic crisis, too)...
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