If you haven't read any Murakami, think Kafka on sedatives. If you haven't read any Kafka, well, Merriam Webster defines Kafkaesque as "having a nightmarishly complex, bizarre, or illogical quality."
After reading three of his novels as well as this short story collection, Murakami's true strength seems to be in the short form. Among the most solid in the collection...
more If you haven't read any Murakami, think Kafka on sedatives. If you haven't read any Kafka, well, Merriam Webster defines Kafkaesque as "having a nightmarishly complex, bizarre, or illogical quality."
After reading three of his novels as well as this short story collection, Murakami's true strength seems to be in the short form. Among the most solid in the collection are The Kangaroo Communique and The Second Bakery Attack. Murakami's staccato rhythm and conservative syntax carry the reader right through to the end of the movement, sans plot. Impressive? Unusual? Refreshing!
Notably, the first story here, The Wind-up Bird And Tuesday's Women, turned into the first chapter of his most famous novel, The Wind-Up Bird Chronicle. This is an excellent example of the "strength in short vs. weakness in novel" situation. I'm sure a hundred thousand Wind-Up Bird fans would disagree, but this short is spunky and weird and entertaining while the novel had me squirming under the weight of its vast meandering verbosity after just a few hundred pages. Which might be sort of how this review is starting to sound. Anyway, this one's a winner. Give it a look!
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