The nameless everyman narrator of A Wild Sheep Chase returns, still pining for Kiki of the perfect ears. This is pretty typical Murakami, with its grab-bag of kooky characters and surreal situations.
It's all mysterious hotels, Duran Duran obsessed teenagers, disenchanted b-grade actors, international call girls, endless pop culture references, obsessive unrequited love - and the SheepMan, of...
more The nameless everyman narrator of A Wild Sheep Chase returns, still pining for Kiki of the perfect ears. This is pretty typical Murakami, with its grab-bag of kooky characters and surreal situations.
It's all mysterious hotels, Duran Duran obsessed teenagers, disenchanted b-grade actors, international call girls, endless pop culture references, obsessive unrequited love - and the SheepMan, of course. Scratch a little deeper and Murakami seems to be talking about the commodification of society, how we try to place a value on everything, even friendship. That's capitalism for you, as several characters comment to the bemused narrator, before filing away their receipts for the inevitable tax write-off.
However unlike, say, The Wind-Up Bird Chronicle or Hard-boiled Wonderland & The End of the World, Dance Dance Dance doesn't really lead you anywhere new. If you've never read Murakami before, don't start here. It's a follow-on novel and it's not his strongest work by a long way. If you have, then you already know what to expect.
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