A famously peculiar feature of Shakespeare's cast in the tragedy Macbeth is the existence of the "Weird Sisters," three rarely spoken but seemingly omnipresent witches. Manifestations of the goddess Hecate, associated with ghosts and the underworld, they are undoubtedly the source of some evil in the plot. Their dialogue involves solely Macbeth and, briefly, Banquo. "Thou shalt get king,...
more A famously peculiar feature of Shakespeare's cast in the tragedy Macbeth is the existence of the "Weird Sisters," three rarely spoken but seemingly omnipresent witches. Manifestations of the goddess Hecate, associated with ghosts and the underworld, they are undoubtedly the source of some evil in the plot. Their dialogue involves solely Macbeth and, briefly, Banquo. "Thou shalt get king, though thou be none./ So all hail, Macbeth and Banquo! (1.3, 65-6). Upon initial scrutiny, the force of their predictions appears to empower the murderous Macbeth. Critics have often ascribed his "transformation from a reluctant, conscience-ridden conspirator into a cunning and brutal murderer (Paris)," to the witches' influence. "He had put off [the murder of Macduff's wife and children] until he had visited the Weird Sisters (Paris);" "[T]he witches of Macbeth inspire... the mysterious horror and spiritual terror (Schelling);"
[T]he Weird Sisters represent, in most appalling sort, the wickedness of the purpose they suggest: so that Macbeth's fears as well as his hopes are stimulated, and his fears even more than his hopes, by the recollection of their greetings: the instant he reverts to them, his imagination springs into action (Hudson).
Curiously, the witches go unpunished for their transgressions at the conclusion of the play. It may be surmised that Shakespeare's intent was not to deem the Weird Sisters wholly unaccountable for the evildoings that commence, but to propose a moral scheme that departs from the binary good-and-evil model. He acknowledges the existence of supernatural forces such as the witches, but rather than purporting their instigation of either order or disorder, he presents them as merely containers of the potential for such. It is ultimately the anomaly of the skewed individual that upsets overall social design.
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