Melanie Rawn is a writer whose work bypasses the intellectual center of the brain and goes straight to the page-turning addiction. Spellbinder is a departure from her previous works in that it takes place in the here and now. Unlike the Dragon Prince and Dragon Star series, where Anne McCaffrey cast a long shadow, the elements in Spellbinder are original yet familiar. The contemporary romance has...
more Melanie Rawn is a writer whose work bypasses the intellectual center of the brain and goes straight to the page-turning addiction. Spellbinder is a departure from her previous works in that it takes place in the here and now. Unlike the Dragon Prince and Dragon Star series, where Anne McCaffrey cast a long shadow, the elements in Spellbinder are original yet familiar. The contemporary romance has become the fairy tale of our time, where the raw materials are in the public domain, and the writer's craft is in using those materials to tell a compelling story.
Spellbinder is the love story of a gorgeous redheaded writer who happens to be a witch, and a tall, dark and handsome Irish-American law enforcement officer. As the cover advertises, it's "a love story with magical interruptions". Boy meets girl, boy gets girl, boy loses girl, boy gets girl. Magic is working in the spaces between these standard plot declaratives, but always in service of human feelings and desires.
Sometimes when a fantasy or historical author goes contemporary, the result is wooden and strangely detached. Not so with Spellbinder. The New York City the author portrays feels real. Each character interacts with the city differently, but each version of New York is true to the city and the character.
My main problem with this book was that I kept sneaking upstairs to read it when I had more "productive" things to do. It made me late to work two days last week, and forced me to stay up too late to finish it. I hope Melanie Rawn continues to explore the challenges of writing in the here and now.
hide