I am starting to realize that 'reviews' on social networks such as this have to have some sort of FILTERS to make them meaningful. For example, how does one give a RATING to a novel compared to a how-do-it book, or text book, or manual? How to make comparisons with a romance novel and an historical one, a classic versus contemporary best seller (C/CBS))? I think that...
more I am starting to realize that 'reviews' on social networks such as this have to have some sort of FILTERS to make them meaningful. For example, how does one give a RATING to a novel compared to a how-do-it book, or text book, or manual? How to make comparisons with a romance novel and an historical one, a classic versus contemporary best seller (C/CBS))? I think that Living Social should divide their books into genre allowing each to have its own rating system. For the C/CBS a ten point scale at least is required to justify the quality of the novel and its author. A Manual or a throw-a-way beach novel/thriller can have a scale either of 3 points of five or both.
"Love in the Time of the Cholera" by Marquez points out this dilemma more than most BOOKS I have read. It now stands as the benchmark for which I can judge whether a classic or contemporary best-seller (or should be) novel deserves a TEN (or in this case on LIVING SOCIAL, a five). I have read some excellent novels over the last twelve months, some of which I thought were remarkable; however, this novel (the second time I have read it/first in 1990's) now is THE BENCHMARK. I have also changed my opinion of this novel which is the reader's prerogative at all times, of a rating. I was NOT ready for either the novel or Marquez in the 90's. I wanted quick reads, I didn't retain the details as much as I do now. Most importantly I didn't have the patience to absorb the beauty, skill, and immense way with words, thoughts, descriptors and the intense knowledge of individual uniqueness but many of their passages one goes through in life, how one reacts and how one responds emotionally and in this author's case - figuratively.
I can understand why some reviewers have had difficulty with the novel or have even disliked it due to a dislike of whom they believe is the protagonist. I ask myself and them, in a book club sort of way, is it reasonable or correct to assume that that Florentino is the one and only? Throughout the passages of time and pages turned I often found my focus on Fermina as the central character. In the end, I realized that Marquez had built such a strong supporting cast that it became difficult to not identify with each one of them with intensity. This is an art. I have not seen this strength in many contemporary novels. I thought it was a thing of the Classics.
I was intrigued by critics who lamented the weakness of the protagonist and didn't point out the so-common use of tragedy as a literary tool to help us all prepare for the other side of human nature, where no matter how talented, how determined, or how successful - a price is paid. On one hand, not only Florentino but most of the characters rivalled anything that could be slotted under the rubric of 'Kafkaesque'. If one thinks of that as characterized by a portrayal of an enigmatic and nightmarish reality where the individual is perceived as lonely, perplexed, and threatened, then we see Florentino, Fermina, their fathers, the many women of Florentino and the cousins of Fermina. By the time we get to the conclusion, we realize that even the Captain of the river boat is under the same melancholic trap in life, perhaps so pronounced in that part of the world, in that period of time and in particular in a society fettered not only by historical social custom, habits, superstitions and culture but also by war and pestilence defying faith in any religion to understand and rendering useless any medical knowledge in the treatment of Cholera.
Remarkable....
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