Having run away with her younger brother to live in the Metropolitan Museum of Art, twelve-year-old Claudia strives to keep things in order in their new home and to become a changed person and a heroine to herself.
E. L. Doctorow digs deeply into American history once again in this epic tale of Sherman's march to the sea--a 60-mile trail of death and destruction--toward the end of the Civil War. Mingling real historical figures with imagined ordinary people, Doctorow offers a panoramic view of the South and of the war in a story that encompasses a dedicated b...more
Steve Martin's "gifts for subtlety and slyness compare to those of the finest comic novelists" (People) and his latest New York Times bestseller -- a witty and tender tour de force -- is now in paperback! Shopgirl revealed the novelist in Steve Martin -- witty, tender, intelligent, and passionate about his craft. And with the successful publicat...more
According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine. A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, ...more
A classic of modern theatre and perennial favorite of colleges and high schools. "One of the most noble and moving plays of our generation . . . suffused with tenderness for the whole human perplexity . . . like a sharp stab of beauty and pain".--The London Times.
The first of Peter Handke’s novels to be published in English, The Goalie’s Anxiety at the Penalty Kick is a true modern classic that “portrays the…breakdown of a murderer in ways that recall Camus’s The Stranger” (Richard Locke, The New York Times). The self-destruction of a soccer goalie turned construction worker who wanders aiml...more
At the heart of this 1930 novel is the Bundren familys bizarre journey to Jefferson to bury Addie, their wife and mother. Faulkner lets each family member--including Addie--and others along the way tell their private responses to Addie's life.
Cormac McCarthy's bleak vision of the American landscape has always had a cataclysmic undertone, so it comes as no surprise that THE ROAD is actually set in a post-apocalyptic world of ash and bitter cold where cannibalistic marauders roam the countryside. In this dire place, a man and his son travel towards the sea armed only with a revolver and t...more
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