In the Latin Quarter of Paris, Trilby O'Ferrall - graceful, charming and innocent - is working as an artist's model. Her ingenuous nature makes her the perfect prey for the cruel magnetism of the demonic musician Svengali, under whose spell she falls. Using hypnotic powers Svengali shapes her into a virtuoso singer and soon she becomes Europe's mos...more
A literary cause célèbre when first published more than fifty years ago, Gore Vidal’s now-classic The City and the Pillar stands as a landmark novel of the gay experience.Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in “awful kid stuff,” the experience forms Jim’s i...more
Since the doors of the first subway train opened in 1904, New Yorkers and tourists alike have been fascinated, amused, amazed, repelled and bewildered by the world-within-a-world that lies beneath the city.Now, as the subway celebrates its centennial anniversary, the creator of The New York Times's award-winning "Tunnel Vision" column leads us on a...more
Fear and Loathing in Las Vegas is the best chronicle of drug-soaked, addle-brained, rollicking good times ever committed to the printed page. It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken.Now this cult classic of gonzo journalism is a major ...more
Meet Blackwater USA, the powerful private army that the U.S. government has quietly hired to operate in international war zones and on American soil. With its own military base, a fleet of twenty aircraft, and twenty-thousand troops at the ready, Blackwater is the elite Praetorian Guard for the "global war on terror"-- yet most people have never he...more
Written at the same time as JUNKY, QUEER revolves around a homosexual relationship in Mexico City, and William Lee's search for the mythical hallucinogen yage in South America. Because of its themes of homosexuality and drug use, this book would not find a publisher until 1986.
The annotated text of this modern classic. It assiduously illuminates the extravagant wordplay and the frequent literary allusions, parodies, and cross-references. Edited with a preface, introduction and notes by Alfred Appel, Jr.